Alla Frederick Remington s Oljemålningar


Vilja ID Bild  Oljemålningar Från A to Z       Information 
4318 A Cavalryman's Breakfast on the Plains  A Cavalryman's Breakfast on the Plains  
4320 Apache  Apache  
4307 Arizona Cowboy  Arizona Cowboy  
4300 Bringing Home the New Cook  Bringing Home the New Cook  
41505 Buffalo Bill in the Spotlight  Buffalo Bill in the Spotlight   mk162 1899 Oil on canvas 27x40
4308 Coming and Going of the Pony Express  Coming and Going of the Pony Express  
4312 Dismounted  Dismounted  
4298 Great Explorers  Great Explorers  
4319 His First Lesson  His First Lesson  
4305 If Skulls Could Speak  If Skulls Could Speak  
4302 Indian Trapper  Indian Trapper  
45959 Oil undated Geronimo Fleeing from camp  Oil undated Geronimo Fleeing from camp   mk178 on linen
4304 Old Stage Coach of the Plains  Old Stage Coach of the Plains  
4311 Scout  Scout  
4316 Shotgun Hospitality  Shotgun Hospitality  
4324 The Advance Guard  The Advance Guard  
4299 The Buffalo Runner  The Buffalo Runner  
4325 The Emigrants  The Emigrants  
4310 The Fall of the Cowboy  The Fall of the Cowboy  
40845 The Fall of the Cowboy  The Fall of the Cowboy   mk156 1895 Oil on canvas 63.5x89cm
4301 The Outlier  The Outlier  
4314 The Scout : Friends or Enemies  The Scout : Friends or Enemies  
4323 The Stampede  The Stampede  
4321 Turn Him Loose, Bill  Turn Him Loose, Bill  
4315 Victory Dance  Victory Dance  
74060 What an Unbranded Cow Has Cost  What an Unbranded Cow Has Cost   oil on canvas, by the American artist Frederic Remington. 28 1/16 in. x 35 1/8 in. Yale University Art Gallery, gift of Thomas M. Evans, B.A. 1931. Courtesy of Yale University, New Haven, Conn. Date 1895(1895) cyf
4306 When Heart is Bad  When Heart is Bad  

Frederick Remington
1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).



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